
BBC Promo Image (1972)
Born in 1943 in Hampstead, London, Margaret Nolan had a career as a glamour model named Vicky Kennedy, even posing for Playboy magazine. Entering films in 1963 in Saturday Night Out (1964) saw her catapulted into Goldfinger (1964). Often cast mainly for her fabulous buxom figure and good looks, Margaret was perfectly cast in Carry on Girls (1973), made six “Carry On…” performances, and was very successful in all of her roles, displaying good comedy acting skills. Nolan is probably best remembered for her role as ‘Dink’ in Goldfinger (1964), and for her “Carry On…” film roles. Margaret Nolan died from cancer on October 5, 2020, aged 76, in London.
Nolan reverted to her birth name as soon as she began to find acting roles, appearing in numerous television shows, theatre productions and films. The latter included A Hard Day’s Night with the Beatles, Ferry Cross the Mersey with Gerry and the Pacemakers, and Marcel Carné’s Three Rooms in Manhattan. Nolan also appeared in one of the first episodes of the television spy thriller The Saint with Roger Moore.
Nolan played the role of Dink, Bond’s masseuse, in the James Bond film Goldfinger released in 1964. She was also painted gold and wore a gold bikini for Robert Brownjohn’s title sequence, advertisements and soundtrack cover (not Shirley Eaton as in the film’s narrative). This led to photographs in Playboy magazine’s James Bond Girls edition of November 1965. In the film Carry On at Your Convenience (1971), composer Eric Rogers referenced Nolan’s Goldfinger affiliation by using a three-note motif on a close-up of her. Nolan appeared on the front cover of the US and UK versions of the 2005 book Robert Brownjohn: Sex and Typography. In 2012, Nolan gave her first interview concerning her experiences as a model. Asked if the imagery liberates or celebrates womanhood, Nolan responded that:
It does celebrate the physical form. If I’d been nude, it might have been about liberation because up to that point, you wouldn’t have seen a nude woman in a publicly visible thing like that. I could have been very pretentious and said this is liberating. But because I was dressed-up anyway I didn’t get that sense.
It became the first film title to be shown in installation at MoMA, New York (2012).
On appearing in Michael Pertwee’s farce She’s Done It Again at London’s Garrick Theatre in 1969, Nolan was described as combining “a long list of physical attractions with a talent that has contributed to the success of many films and television plays”. She was known for five BBC series with Spike Milligan and, in 2013, published a short essay on her time working with him. Nolan gave a live reading of the work at the Poetry Society in Covent Garden, reviewed by What’s On London as a “deeply-personal memoir… her performance simply magical.” She spoke of her awareness of Milligan’s depressive character but also of their friendly working relationship; noting that “Professionally, he taught me that timing is what makes things funny. Timing is crucial.” Nolan was cast in several Carry On films including Carry On Girls (1973). The film contains the scene of Nolan (in a silver bikini) and Barbara Windsor cat-fighting on a hotel floor.
Nolan also appeared in serious theatre, motivated by political themes. In 2011, Nolan’s work as a comedy actress was recognised with her name included on Gordon Young’s Comedy Carpet installation in front of Blackpool Tower. Also, in 2011, Nolan returned to the screen after a gap of nearly three decades. She starred in a role especially written for her by Ann Cameron in Yvonne Deutschman’s The Power of Three.
In 2019, Edgar Wright cast her in his 2021 film Last Night in Soho. It was Nolan’s final film appearance (Source: Wikipedia)
MY ACTING CAREER
I quite unexpectedly shot into the limelight with my very first film role in ‘Goldfinger’ in 1964 when I was only 20 years old. Eon films had wanted me to be the body for the iconic titles sequence and I agreed if they gave me a part in the film (Dink). An offer of a two year contract to publicise the film followed but I turned this down on the grounds that I would find it difficult to ‘live down’ such publicity as I wanted to be taken seriously as an actress. As it transpired I couldn’t ‘live it down’ anyway and to this day get regular fan-mail from Bond fans! I also get lots of mail still from my appearances in six ‘Carry On’ films and repeats of tv shows.
THE CARRY ON’SMy first ‘Carry On’ was in 1965. A small part in ‘Carry on Cowboy’ I think it was just one day’s work on a scene with Sid James. I remember wearing a beautiful dress and how friendly Sid was. I hadn’t done any comedy up till then and was very amused by it all. Angela Douglas was in it. I think I was impressed with working with such a reputable, talented actress in such an outrageous comedy. Of course the success of comedy lies in playing it for real but with an acute sense of timing, which is why some very good actors were sublime in the ‘Carry On’s My next role wasn’t until 1970 in ‘Carry On Henry’ playing a bosom heaving wench! Famously now on You Tube! Then in 1971 I was a factory worker in ‘Carry On at Your Convenience’ causing trouble for our wc manufacturing boss! I remember the wonderful Miriam Karlin and Kenneth Cope leading us on! ‘Carry on Matron’ came in 1972, one very funny scene with Terry Scott. In 1973 I played the more substantial part of Dawn Breaks in ‘Carry on Girls’ (above)and my fight scene with Barbara Windsor has consequently become one of the most frequently observed clips on You Tube! ‘Carry on Dick’ followed in 1974, where I was held up with Bernard Bresslaw and we were made to surrender our (you guessed it!) clothing! This was the last ‘Carry On’ to be made and Sid went on to star in TV comedies. I have many more personal memories and observations but you’ll have to wait for my book to read these! Sufficient to say that above all they were very good fun to be part of and I’m privileged to have worked with so many memorable comedy actors.
The rest of my work, some of which I’m most proud of is listed on my CREDITS page. It includes some 380 television productions; West End plays; innovatory fringe theatre at the Ambiance in the 60’s; ‘serious’ films like “Trois Chambres a Manhattan” directed by Marcel Carne.
I recently featured in The Power of Three A feel good comedy filmed on location in Belsize Park and Hampstead, that reinvents the myth of middle age, and the role of Dame Margaret was written especially for Me.
The Power of Three marks my return to the screen, after I gave up acting in the late 80’s to focus on homemaking and caring for my two sons.
(From Margaret Nolan Official Website)
GB Doncella Cigars with Groucho Marxs.
Films
Vicky Kennedy clips not included here.
Television
Theatre
Fringe
Provincial
West End